Coming Back to Nashville!

Centripetal Force is making its first trip back to Nashville since returning to California and will be hosting a show at Vinyl Tap on September, 21st. The evening is lined up to include the wonderfully dark and wistful sounds of Marissa Nadler, the incredible guitar work of Michael Hix (Nashville Ambient Ensemble), and the eccentric creativity of Kevin Coleman, who will be playing with guitarist Scott Mattingly and keyboardist Gray Worry.

The night is modeled after last year’s successful run of Centripetal Sundays, a series of showcases in which the invited artists were encouraged to collaborate, improvise, invent, and introduce new ideas and sounds. This year’s show is happening in the middle of the much lauded AmericanaFest and offers a glimpse of the type of creativity that is happening on the fringes of the Americana world in Nashville.

Music will start at 7PM sharp and wrap up by 10. There's no cover but attendees are asked to tip generously, as is the Nashville way.

Michael Hix

Marissa Nadler

Kevin Coleman

ANNOUNCING PRAIRIEWOLF'S 'DEEP TIME'

Today comes news about the much anticipated second album from Prairiewolf. It's titled Deep Time, and it is set for release on September 20th. Joining Centripetal Force and Prairiewolf for this album is the UK label Worried Songs. Collaboration is part of the Centripetal Force ethos and recruiting Chaz and his label helps ensure that listeners across the pond have an easier and more affordable option when it comes to buying records. Deep Time will be available digitally, as well as on vinyl and 2xCD. And yes, you read that correctly. This is a two CD set. However, we are currently not at liberty to discuss the contents of the second CD.

Deep Time is both a departure from and continuation of what Prairiewolf accomplished on their first album. The spacey desert lounge sound remains and is now surrounded by an expanded palette of instrumentation (even some clarinet) and takes on an added sense of rhythm and  percussive touches. “Revisionist Mystery” is now streaming on all platforms, and preorders are live at both the Centripetal Force and Worried Songs Bandcamp pages.

Music has always played a major role in our lives, and in what’s shaping up to be a tumultuous last half of 2024, Deep Time is going to something that helps ground us. As Brent Sirota of Aquarium Drunkard points out,

I’m thankful for the way Prairiewolf make each of their tunes a little oasis or sanctuary, each subsisting according to its own crystalline little logic for a few minutes. It is no simple task to filter out the omnipresent anger and anxiety of everyday life these days. But Prairiewolf are out here making it seem easy.

We hope you enjoy the latest Prairiewolf has to offer and also encourage you to check out a live recording from just a couple of weeks ago at the Trident Booksellers & Cafe in Boulder, CO. You’ll find it in the player below.

Prairiewolf Live at Trident Booksellers & Cafe on 2024-08-08

Marking One Year In La Selva Beach

It was one year ago that Centripetal Force and family pulled into the driveway of our new home in La Selva Beach, CA. It was no small feat to extract myself from a community where I had forged strong friendships and established strong roots, but deep down I knew this move was meant to be, perhaps even destined by the workings of some unknown force. I’m a stubborn man though (as my partner knows all too well), and my dug heels remained deep for months after our arrival, resisting the ever growing belief that I was in La Selva for a particular reason. 

If you’re unfamiliar, La Selva Beach is a magical place, about 75 miles south of San Francisco and nestled comfortably against the Monterey Bay.  The neighborhood is adorned with massive redwoods and towering palms. Great horned owls call throughout the night. Winter brings an impressive array of mushrooms to life, and coyotes run freely down the center of the street after dark. La Selva  was also the one time home of Sid Padrick, a former Air Force pilot and radio and television repairman who claimed to have had an alien encounter on the beach during the early morning hours of January 30th, 1965. For reference, his willing abduction occurred somewhere at the bottom of the bluff from where the above sunset photo was taken. I first learned of Padrick’s story long before I had any idea that I would one day end up settling in the same central coast neighborhood. In reality, with a population of just over 2000, the odds would seem to be quite long. 

I initially learned of Sid Padrick through an album released in 1966 titled File #733 U.F.O., a curious documentary record that includes interviews with UFO witnesses and abductees, including Sid Padrick. As a record collector, as well as one with general interests in the supernatural and all things cosmic, this album was tops on my want list. 

Album cover for the original File #733 U.F.O

The album was recorded and arranged by Jack Jenkins, and in 2017 had captured the attention of my friends Bob Irwin and Jay Millar at Sundazed/ Modern Harmonic Records. We knew each other from WXNA-FM in Nashville, where we all had radio programs. Bob hosted “Big Planet Noise” (now on WFMU) on Wednesday nights, the same evening I was hosting “Psych Out!” Our mutual love for all things psychedelic quickly drew us together. Jay hosted “The Plural of Vinyl” and specialized in all sorts of audio oddities and obscurities, including Jenkins’ UFO record. 

Bob and Jay asked if I would be interested in being part reissuing File #733 U.F.O. My role was to interview Jack Jenkins, who was living in Oregon and company manufacturing grain mills, and write up some new liner notes. I was also asked to curate a soundtrack for Jenkins’ documentary, an album of music that could be simultaneously played with the Jenkins record for the purpose of enhancing the listening experience. Well, I certainly said “yes” and pulled together folks like Jeffrey Alexander, Kikagaku Moyo, Heron Oblivion, Mugstar, and others to create the audio mix. The tougher task was coming up with a focus for the liner notes.

Just like Fox Mulder and his infamous deskside poster, “I Want To Believe.” However, upon my first few listens to Jenkins’ record, I wasn’t really convinced there was much substance to his interviews or his speculative explanations (audio included below). Sure, the narrated accounts were engaging and entertaining, Padrick’s in particular, but I just couldn’t take them very seriously, that is until I interviewed Jack Jenkins himself. I’m not sure how, but at some point during my pre-interview research, I had learned that Jenkins was a devout Mormon. I thought this was an intriguing point and wondered if there was any connection between Mormonism and UFOs or aliens or the like. 

I Want To Believe

My interview with Jenkins was almost an hour long and was an adventurous romp through a variety of topics, including faith, religion, absolute truths, and, of course, UFOs and aliens. Jenkins told me that he had no doubt that what Padrick had told him about his alien encounter at La Selva Beach was an absolute truth. He was entirely convinced that Padrick’s tale was authentic, particularly when it came to Padrick recalling being told by his humanoid alien captors that they were “from a planet in back of a planet.”  Well, it just so happens that in Mormonism there is the belief that the Earth is simply one of many planets with life. Mormon scripture does not present the Earth’s creation as a singular event, but as part of a much larger celestial division containing any number of heavenly bodies, a potential multiverse of countless moons, stars, and planets, including one called Kolob, the heavenly body nearest God’s throne. Padrick’s planet comment struck a serious chord with Jenkins because Mormon theology not only asserts that human-type life inhabits other planets, but that Kolob, a sort of Mormon master planet, is hidden from the view of Earth. I can’t say I’m as firm a believer in Padrick’s story as Jenkins, but learning that certainly piqued my curiosity and opened the door to belief. 

Soon after deciding to make the move from Nashville to La Selva Beach I revisited the Sid Padrick story and started digging around online. I think I wanted to definitively reject Padrick’s narrative and shut down my desire to believe. However, I learned that on the evening of January 29th, the night before Padrick’s sighting, Mayor George Clemens of nearby Monterey had seen mysterious lights flashing above the bay. That same week  park rangers in Santa Clara County had also sighted strange activity in the mountains above La Selva.  I found an excellent post from 2021 on the Saucers That Time Forgot website that includes local newspaper articles about his sightings, as well as advertisements for Padrick’s radio and television repair service. Padrick spent five or so years on the lecture circuit, speaking to UFO enthusiasts and curiosity seekers around California before dropping off the scene. Apparently, his family was less than thrilled with the attention they received from the story and dismissed the entire episode as false, a claim supported by the Air Force investigator who visited Padrick at La Selva and interviewed him at length about his experience. 

From the Santa Cruz Sentinel

Strangely though, there is something about Padrick’s story that pricks at my brain every time I stand on the La Selva cliff. I want the intersection of my life path and the Padrick story to be more than mere coincidence. I’d love for there to be some deeper meaning or purpose. I chat up some of the old timers in the neighborhood to see if they know anything about the tale or the family. I’d love to know where he lived. Perhaps my struggle to figure out if Padrick’s story is authentic or not is just a grand metaphor for my own stubbornness, my proclivity to pull when I’m supposed to push and push when I’m supposed to pull. Perhaps it means something more. I’ve never told anyone until now, but sometimes when I return home late at night I go out to the cliff and peer into the vast darkness looking for a glimpse of what Padrick may have seen, hoping that I will see something that I cannot explain.  After all, “I Want To Believe.”

- Mike Mannix

Want to read up more on Padrick’s story? Check out his account in Above Top Secret: The Worldwide UFO Cover-Up, starting on page 303.

Listen to Sid Padrick’s account below:

Album cover for the reissue of File #733 U.F.O

A COINCIDENCE IN OAKLAND

On September 17, 2023 the mysterious ways of the universe brought together Agnes Martian (from Oakland), Music for Connection (Arizona), Hair and Space Museum (also from Oakland) and New Age innovator and mentor Laraaji. This meeting of cosmically connected musicians and artists resulted in a massive jam session of sorts, which fortunately was recorded and documented and is now being released to the world- over an hour's worth of spellbinding musical journeys. All improvised. And like the forces that brought them together, all coincidence.

For those unfamiliar with the artists, Agnes Martian soundtracks an imaginary planetarium that charts undiscovered constellations of inner/outer space. The project was founded in 2019 by Benjamin Rodgers (guitar, synths) and Zekarias Thompson (saxophone). The duo collaborates with artists from various musical backgrounds, most recently with Philip Laurent. Their first album The Future Light Cone was released as a part of the Altered States series by Centripetal Force and Cardinal Fuzz.

Music for Connection is a free-improvisation collective organized by Gus Tomizuka exploring experimental and ambient sound collages. Collaboration is at the heart of their mission, and the group is often on the road creating connective musical narratives with different artists at each stop. Other members include multi-instrumentalist Grant Beyschau, who has worked with Centripetal Force as a member of both The Myrrors and Tambourinen.

New Age pioneer Laraaji is a musician, mystic, and laughter meditation practitioner based in New York City. His career has spanned more than 40 years and includes over 50 releases, several of which are collaborative in nature. His music and spirit serves as an inspiration and mentor for many in the ambient and sacred music circles.

Hair and Space Museum is the duo of Emily Pothast and David Golightly, who are also the co-founders of the band Midday Veil and the record label Translinguistic Other. HaSM projects are multimedia meditations on the generative, cosmic properties of sound. 

Along with the cassette, there is a companion Risograph zine that is focused on reflections written by Agnes Martian members Benjamin Rodgers, Phillip Laurent, and Zekarias Thompson, and Gus and Patricio of Music for Connection in the months following the impromptu recording session. The zine examines individual memories of this evening of spontaneous music making and discusses approaches to collective improvisation.

The album is being presented by Transitory Tapes, Working Name Studios, and (a very humbled) Centripetal Force in a 150 copy cassette pressing and is available now for preorder at the Bandcamp.

Agnes Martian and Music for Connection will celebrate the release of Coincidence on May 31 at The Green Room at Royal Coffee, located at 2523 Broadway Avenue in downtown Oakland.

ANNOUNCING DREW GARDNER'S 'CYGNUS A'

A busy 2024 at Centripetal Force rolls on with the announcement of Drew Gardner’s Cygnus A. The album is available for preorder starting today. The release date is June 7th. It will be available on vinyl, as well as digitally.

A majority of the music Drew Gardner has made over the years has been deeply collaborative, in contexts where his skills with improvisation can shine: with Elkhorn, Jeffrey Alexander + The Heavy Lidders, and his own Flowers in Space band. Cygnus A, where Gardner is playing and multitracking all the instruments, marks a shift in his approach as well as his intention, drawing the audience closer for an inward listening experience.

Cygnus A is Drew's first proper solo album. Guitar playing takes a back seat on this release, allowing Gardner to showcase his talents on the zither (of the dulcimer/ autoharp family) and mriba (a kalimba type instrument). The results are as heady and cosmic as the other projects that he is known for, with Cygnus A being a more intimate listening experience. With an earthy yet cosmic vibe, this multi-instrumentalist solo foray explores themes of distance and nearness. The album title Cygnus A refers to a distant galaxy that is one of the brightest radio sources in the sky. Its broadcast from space comes from a supermassive black hole generating energy as it consumes material, causing electrons to emit radio waves as they spiral outward in magnetic fields.
“Pollux,” the album’s lead track, is named for the star of the constellation Gemini, the star closest to our own sun. Its reddish hue long helping travelers navigate the glove before the advent of modern technology.

Cygnus A is being presented in a 200 copy vinyl pressing.  Preorders are now live on the Bandcamp.

Drew Gardner will perform with his Flowers in Space Band at the Knitting Factory NYC on May 5. Emergency Group and Vague Plot are also on the bill. The band will then perform at this year’s Milwaukee Psych Fest on May 11.

Announcing ‘MORNING MEDITATIONS / EVENING ABSTRACTIONS’ FROM ELIJAH MCLAUGHLIN & CALEB WILLITZ

Today, Centripetal Force announces the release of Morning Meditations / Evening Abstractions from the duo of Elijah McLaughlin and Caleb Willitz. Along with this announcement is the release of “Vesper” and Vesper Pt. 2,” the first tracks taken from the album.

McLaughlin, a Chicago-based guitarist who has released three well-regarded albums as bandleader of the Elijah McLaughlin Ensemble (Astral Spirits, Tompkins Square), and his long time friend and collaborator, Caleb Willitz, a recording engineer, producer, and sound artist, are in their element on Morning Meditations / Evening Abstractions, as each musician is constantly feeding off the other’s creativity.

Willitz, who also worked with the likes of Jeff Parker and Bill MacKay, and McLaughlin set up the ideal conditions to invoke the best of their abilities, allowing for even the recording process itself to take on a more spontaneous spirit. The duo set up camp in Willitz’s studio to work without the restraints of time, a move that allowed total freedom to create adventurously. Utilizing a refurbished 8-track tape machine, the pair was only restricted by the 25-minute limit of their analogue reels of tape. With McLaughlin playing an electric guitar routed through stereo amplifiers and various effects and Willitz playing piano while simultaneously controlling a tape delay with a foot pedal, the two developed

ethereal and transcendental soundscapes that exist somewhere between free jazz, post-rock, and ambient music.

 For those familiar with Elijah's guitar work, there is the welcome expansion of his sound palette. Sonically the textures have expanded, thanks to the integration of analog synths, tape loops, acoustic piano, and horns. His partnering up with Caleb has this album exploring the worlds of minimalism, jazz, improvisation, and creative composition. Fittingly, these are the musical elements that have put Chicago on the map over the past decade or so, something reflected by the list of guest contributors on the album, including Charles Rumback, Edward Wilkerson Jr, Jason Stein, and Josh Johannpeter.

Morning Meditations / Evening Abstractions is being presented in a 300 copy vinyl pressing. The album will also be available digitally. The release date for Morning Meditations / Evening Abstractions is June 7. Preorders are now live on the Bandcamp.

McLaughlin and Willitz will perform with drummer Tommaso Moretti at this year’s Milwaukee Psych Fest on May 11. The duo’s record release show will be May 17 at Hungry Brain in Chicago, IL.

KEVIN COLEMAN TOUR STARTS THIS WEEK

Guitarist Kevin Coleman takes to the road later this week to celebrate and promote the release of Imaginary Conversations, an album whose merits have been spreading quickly. Coleman’s tour will start off in the South and work its way up into New England before concluding in the Midwest. Notable stops include a radio station appearance on April 27th at WTJU (91.1 FM) in Charlottesville, VA and an appearance at Rhizome DC on April 29th with guitarist Jordan Perry. Kevin will have copies of his new album available, as well as a limited number of Blind Willie McTell t-shirts he designed and had prinited up. Check out the dates below and follow Kevin on Instagram for more information.

A magical album that seamlessly moves from guitar soli to country fried fiddle stomps to the extended kosmische/motorik outing of the last song. If the Autobahn took you through a portal to Tennessee, this would be the soundtrack. Favorite track: Imaginary Conversations on Fish Hatchery Rd. - Stefan Beck (Golden Brown, Prairiewolf)

Amazing that Kevin has been able to craft an album that is firmly rooted in a variety of acoustic guitar playing traditions, yet manages to sound so utterly unique. An absolute feast of finger-picking glory, and the most beautiful album I've heard in 2024! - Duncan Park

Pat Sansone on The Ambient Country Podcast

Check out the latest episode of the Ambient Country podcast, as Patrick Sansone joins Bob Suss for an engaging discussion of instrumental music, including his new album Infinity Mirrors. Pat also discusses his choices for this episode’s guest playlist (which includes some great surprises), as well as the various other projects that he’s involved with.

The episode just dropped today, and you can find it wherever you typically listen to your podcasts.

Ambient Country Episode 29: Pat Sansone by Flow State

An exploration of the instrumental landscape with Bob Holmes of SUSS

Read on Substack

Gold Dust is Gearing up to Come Back

Stephen Pierce, leader of the Western Mass band Gold Dust, has been on a self-imposed social media exile for the past 10 months or so, but he popped up on Bandcamp today to give a couple of updates. One of the updates has to do with a wonderfully wild t-shirt design the band has unveiled (see below), as well as news of new material being written and recorded. Gold Dust may have been quiet since the middle of 2023, but folks who enjoyed The Late Great will soon be treated to a large dose of new sounds and musical directions. They have been feeding me a number of demos, and I can confidently say that folks will be excitedly awed. 2023 was a tough year for Stephen. I’m glad to have him back. Here’s what Stephen had to say:

Hey all. Been a while. I hope you’re well - it’s been a strange and interesting year for me, to say the least, and I’ve mostly disengaged with the digital world. I guess as good a return as any is to show up with a ludicrous new shirt design. It’s an improvement on a similar theme I used for my old band, Kindling, and we’ve done it on tie dye, as well as white on black.

Things have been rolling along excitingly over here. A lot of change. Been writing, recording… you know, all those things bands do.

Here are the shirts:

If you’ve been trying to get ahold of me via socials, I’m sorry to have missed you. Someone will start posting there again at some point, but it won’t be me. You can find me at stephen.e.pierce at gmail dot com. Thank you so much for your patience and kindness through this difficult journey this past year has taken me on.

SOMA To Tour With Grails in July

SOMA has announced that they will be opening for Grails this summer on a string of dates that will take them through the Northeast and into Canada. Silkscreened copies of the Robert Ryan designed tour poster (seen above) will be available at the shows, as will be copies of SOMA’s Burning is Leaning, which is expected to be in its second pressing. Follow SOMA on Instagram for updates.

Jun 29 Baltimore MD @ Ottobar

Jun 30 Philadelphia PA @ PhilaMOCA

Jul 01 New York NY @ Le Poisson Rouge

Jul 03 Boston MA @ Crystal Ballroom

Jul 05 Montreal QC @ Bar Le Ritz

Jul 06 Toronto ON @ The Monarch

Luke Schneider California Dates

Luke Schneider will be visiting California’s Bay Area later this month and playing a string of shows throughout the area.

The first will be in San Francisco on March 20 with Oakland’s Aux Meadows, whose Dust Kingdom on Perpetual Doom was a highlight of 2023. The show will be at Et al Gallery, located at 2831 Mission Street. Showtime is 7-9PM.

On Thursday March 21 Luke will celebrate the Spring Equinox in Santa Cruz with an extended sound bath composition. This will take place at Indexical and is being presented by Centripetal Force. Information and tickets for the Santa Cruz sound bath can be found here.

Luke will travel to Oakland for a show with the Danny Paul Grody Duo on Friday, March 22. The event will take place at The Green Room at Royal Coffee, located at 2523 Broadway in downtown Oakland. The Green Room have established themselves as a premiere venue for instrumental and experimental music.

On Saturday there will be an afternoon house show in San Anselmo. Details for this show are forthcoming.

Luke will be playing with William Tyler and The Impossible Truth on the West Coast between April 17 & 27. He will also have dates in the upper Midwest around the time of the Milwaukee Psych Fest.

Bandcamp Friday Recommendations for March

Bandcamp Friday is upon us once again. And while no one really knows what kind of changes are in store for the indie artist and labels who rely heavily upon the platform for exposure and sales, I ask that you support where you can on March 1st.

I put together a playlist of artists and releases that I feel deserve some of that support. It’s on the BNDCMPR platform, which I’m quite grateful is still around. You’ll find the links you need right there in the playlist. You can find it here. Enjoy!

Centripetal Force to Host First Santa Cruz Event

Centripetal Force is hosting their first event in Santa Cruz, CA in March. It’s going to be a sound bath, a celebration of the Spring Equinox with an evening of rejuvenation, community, and music. The event will take place Thursday, March 21 from 6-8 PM at Indexical, a non-profit arts and community space located in Santa Cruz’s Tannery Arts Center.

The evening will begin with some springtime signature mocktails and esoteric tarot card readings from Gatisa Noble. There will be the opportunity to connect with your intentions for this coming spring season with a meditation circle led by Eve Mannix.

The evening’s main event will be the ambient pedal steel guitar sounds of Nashville’s Luke Schneider. Luke will take take listeners on a meditative sonic journey.

Space is limited for this intimate event. Please bring a yoga mat, blanket, and eye mask (if desired). The goal is for you to be comfortable while lying down and taking in the sounds, so bring what you need. Centripetal Force Records is committed to making our events accessible to everyone. If you require an accommodation or service to fully participate, please contact centripetalforcerecords@gmail.com or 615 933 1955, at least 24 hours before the event. A limited amount of floor chairs will also be available. The space is wheelchair accessible.

Tickets can be purchased here.

Indexical is located at 1050 River St. #119
Santa Cruz, CA 95060

REPRESSES FROM PRAIRIEWOLF AND THE MYRRORS TO GO ON SALE MARCH 1.

On March 1st represses of Prairiewolf’s debut album and The Myrrors’ Live at Exploded View will go up for sale on the label’s Bandcamp site. Demand for both releases has been high, and both records will be available at approximately 8:30 AM Pacific Time. Cardinal Fuzz will also have copies of The Myrrors release going up for sale on March 1st.

This is the third repress of the Prairiewolf album, with this edition being presented once again on Hot Springs Green vinyl. The band will have copies of the record with them at their upcoming Denver appearance with TENGGER, as well as their show with Color Green and Rosali. There will be an announcement soon regarding some additional out-of-state dates coming up in May.

Prairiewolf is currently in the studio putting the final touches on their second album, with hopes of having it released in the fall. Work is being done to ensure the album will be available in the UK and Europe.

The demand was high for last year’s Altered States edition of The Myrrors’ Live at Exploded View, so Dave at Cardinal Fuzz and I got the band to design a new sleeve. I’m not sure if there’s anything left in The Myrrors’ archive, so this may be it.

"With this incantatory live recording, Myrrors create a sound that feels drawn out of the soil. Drone calls, avant-squall, swells of devotional psychedla—whatever you want to call this music, it's entrancing and spiritually voluminous, rising and falling in majestic arcs, soundtracking an imaginary Herzog documentary playing exclusively in your mind's eye." — Jason P. Woodbury 

Both releases are limited and will go quickly. Combine with other new releases of the day (Patrick Sansone & Jack Silverman) and save on shipping.

Announcing SOMA's 'Burning is Learning'

The fourth release on Centripetal Force for this first quarter of 2024 stands quite uniquely on its own. It's a collection of sacred hymns, spellbinding dirges, and a little bit of mystical meandering. It's as heady as it is heavy and as ancient as it is modern, like an old spirit awakened anew. 

Burning is Learning is the second album from SOMA (Sacred Order of Mystic Apogees), a group of multi-instrumentalists from New Jersey with deep roots in the DIY music scenes of the area. They consider their music to be eclectic and sacred, with much of their musical approach grounded in traditions most associated with Pakistan and India. The drone of the harmonium is omnipresent, as is the ambience of the tanpura (a sitar-like instrument) and the reverberations of the mridanga (a percussion instrument). Devotion is at the core of SOMA's ethos, and the group holds various spiritual traditions and devotional practices that inform their sound and style, most clearly heard in the many call and response (kirtan) mantras found throughout the album.

"Shivranjani" is the first track to be released from Burning is Learning.

In quite appropriate New Jersey fashion, Burning is Learning was recorded by Phil Caivano of Monster Magnet and mastered by fellow Monster Magnet alum John McBain (QOTSA, Wellwater Conspiracy). Noted tattooer and painter Robert Ryan is responsible for the album's front cover, and Kevin Craig designed and created the back cover. A limited number of preorder editions of the album will come with artist prints of both pieces. 

Burning is Learning is being presented in a 200 copy vinyl pressing. The album will also be available digitally. The release date for Burning is Learning is March 19. Preorders are now live, on the Bandcamp.

SOMA’s record release show will be April 7th at Jack’s Music Shop in Red Bank, NJ.

Front cover by Robert Ryan

Back cover by Kevin Craig

Getting to Know Kevin Coleman

Listen to Imaginary Conversations.

Kevin Coleman moved to Nashville from Virginia a few years ago to study music at Belmont University. He became frustrated with the program and left, focusing his energy on guitar playing and creating unique compositions. I saw Kevin play a few times around town. He always played solo, and his style reminded me of early Peter Lang. Eventually, I asked him to send me some music when he had some. Shortly after, he sent me some demos. I was blown away. This was no Peter Lang type of affair. It was much more full, something I describe as a collage of fingerstyle guitar, progressive composition, Appalachian vibes, and motorik drive. 

Imaginary Conversations is certainly a release that exists in the same musical conversations being carried out these days by the likes of Jon Camp, Magic Tuber Stringband, and just about every project involving Mike Gangloff.

Jon Camp is actually someone who has been familiar with Kevin’s playing for a few years. Camp believes,

"Imaginary Conversations is an important album for Kevin. It’s exploratory, expansive, and fun, tapping into Kevin’s wide-ranging influences while making sense as a cohesive statement that is uniquely Kevin. It’s an album that will get repeated listens from me." 

Imaginary Conversations goes up for preorder on February 8th, with "Mammut Americanum" serving as the lead single. The album will be released March 19th on cassette, CD, and in digital format. 

I recently sat down with Kevin to discuss his music and craft, his influences, and how this album came together. Check out the conversation below, as well as the accompanying playlist Kevin curated for the occasion (Tidal / Spotify).

In Circles #1 | Getting to Know Kevin Coleman

Mike Mannix

Download